Thursday, June 21, 2012
REVIEW: Resistance: Burning Skies
Sunday, June 17, 2012
E3: Aftermath
Sunday, June 3, 2012
E3 Goodness!
It's that awesome time of the year, when dreams can be fulfilled and dashed in an instant and the major software developers awkwardly tease their latest wares! E3 is always a pretty entertaining event with a ton of new games announced every year, and every once in a while we even get a new console.
In this article I'll be going over a few of the games that I'm really excited for as well as talking about Nintendo's new home system, Wii U.
Sony's Playstation 3 is currently my go to system when I want to play all the latest games. It truly is an amazing console that, like Sony says, Only Does Everything. On the other hand you have their recent Vita handheld, which hasn't been doing too great. To be honest I was super excited when this released but it just hasn't gotten much support.
Sony has already announced a bunch of huge upcoming games prior to E3, which can only mean one thing, they're going to drop some huge surprises at their press conference tomorrow night. One of which I hope is that PSOne Classics will finally be playable on the Vita.
I'm Not Very Good At Sinistar
Recently having been bitten by the "Retro Bug," I decided to dust off my copy of Midway Arcade Treasures: Extended Play for the PSP and give the dreaded Sinsistar a try. My experience was less than stellar. This is a difficult, brutal game that does nothing to make your time with it easier.
Originally released in the arcades in 1982, the game was notable for being the first to feature stereo sound and a 49-way optical joystick. Before playing I had heard how difficult it is, but I really wanted to try it out for myself, more for the history lesson than anything else. Good thing I went into this for the history and not enjoyment because with this game I was way out of my element. I consider myself to be pretty competent at old-school space shooters like Asteroids and Tempest, but Sinistar was so difficult right from the get go that my mind was effectively blown. The game starts off as a typical Asteroids clone then jumps into uncharted territory pretty fast.
Thursday, March 22, 2012
Review: The Decemberists - The King Is Dead

2009’s The Hazards of Love was considered a misstep for The Decemberists, but in my mind it was a beautiful mistake. Many derided it for being an overblown mess of Neil Young-esque guitar and long-winded storytelling; I for one loved the album for those very reasons. WithThe King Is Dead, the band has remarkably progressed their songwriting while not abandoning their roots.
Colin Meloy has greatly matured as a lyricist and storyteller. Where he used to take what at times seemed like forever to tell a story, his thoughts are now condensed into short succinct verses; and it works to the album’s benefit. These are story songs in the traditional Decemberists form. They tell tales of beleaguered and flawed characters, but the lyrics are more contemporary and straightforward then ever before.
Enough about the lyrics though. Where this album truly shines is with the music. R.E.M.’s Peter Buck guests on album opener “Don’t Carry It All,” “Calamity Song” and lead single “Down By The Water,” and it’s not surprising that these are the standout tracks on The King Is Dead. Buck still hasn’t lost his touch for a great hook, proving so with “Calamity Song” in particular, sounding like something off of Murmur. The Decembrists still sound like a band of pirates, but now it seems that they’re pirates who’ve honed their craft.
The Decemberists are tight as ever on this album, and it might be their best effort to date. It’s up there with their first two albums Castaways and Cutouts and Her Majesty The Decemberists. If you were scared off by The Hazards of Love, give them another chance with this release. It’s a musical experience you’ll be happy to have been a part of.
10/10
Monday, August 9, 2010
Review: Arcade Fire - The Suburbs

It's very rare these days for a band to be able to achieve the kind of success and acclaim that Arcade Fire has, and not fall on their faces. Arcade Fire however, seems to be the exception to the rule as they've released their third great album in a row.
Most bands would have chosen to start their album with a straight-ahead rocker like the second track here, "Ready To Start," instead Arcade Fire chose to start off with the poignant title track. Here lead songwriter/singer Win Butler recounts his childhood in suburban Houston, TX, recalling how he learned to drive and how things just aren't what they once were. 'The Suburbs' carries on that theme throughout the entire record and never loses track of the plot, something that's difficult to do for an entire hour, as they do here.
So yes, the album is long at a little over an hour in length, but it rarely feels that way. This is one of those rare albums where you just can't bring yourself to skip a track. Every song is important to the overall "story" and they all flow into each other. Like a good mixtape 'The Suburbs' never lets you down, with varying song-styles and lyrics that are always on point.
Arcade Fire has been compared in the mainstream press as being a combination of Springsteen-esque lyrics and U2 style music. Although this is true of some of the songs to be found here, it's not always the way things sound. On a song like "Modern Man" you get the sense that Butler was inspired not by the Boss and Bono but by Neil Young, a style that's also used on songs like "Wasted Hours" and "Deep Blue." "Modern Man" is such a high point that the band has started using it as an encore at recent shows. In the song, Butler clearly feels a yearning for times gone by but realizes that it's not to be and "maybe when you're older will understand."The type of lyrics Butler comes up with on this album really tell you a lot about the man, he's not rallying against suburbia, he's just saying it doesn't have to be the way it is. "Half Light II" with its haunting backing vocals by Régine Chassagne and propulsive backbeat might just be one of the bands greatest songs. A tale of going back home to where you grew up, only to find it totally changed is heartbreaking and with the coda of "One day they will see it's long gone," it's very easy to relate to.
The lyrics aren't the only reason this album is a success, there's the music that surrounds them as well. If the instrumentation seems a tad pedestrian at first, give it a few listens and you'll be able to discover new parts everytime you listen. Owen Pallett's ear for an amazing string arrangement really shines on this album, from the hyperactivity of "Empty Room" to the rocker "Month of May," this man obviously knows what he's doing. If you haven't heard his work as Final Fantasy or his most recent album 'Heartland' you owe it to yourself to do so if you find yourself as enamored with his string arrangements as I am.
As great as the rest of the album is, it's blown out of the water by the breathtaking "Sprawl II" with Chassagne taking center stage. Her voice is in top form here with lyrics to match. The first time I heard this song I got goosebumps when I heard the chorus and still do. "Living in the sprawl, the dead shopping malls, rise like mountains beyond mountains," is the perfect picture of the suburbs and its sometimes never ending boredom.Needless to say I was not let down by this album. It might not have the immediacy of "Funeral" but it also doesn't have to over-orchestrated sound of "Neon Bible." It will make a great addition to anyone's music collection and I couldn't recommend it more to anyone who ever grew up in the suburbs, if you did, you'll find more than a few songs that you can readily relate to. Expect this to be at the top of my, and other critics, year end lists this winter.
10/10
Best Tracks:
Sprawl II (Mountains Beyond Mountains)
Modern Man
Half Light II (No Celebration)
Month Of May
Deep Blue
Oh and if you get the chance, PLEASE go and see this band in concert. I got the opportunity to see them last week and their energy and musical ability will blow you away.
Tuesday, June 29, 2010
Review: River City Extension - The Unmistakable Man

Every once in a while you'll see a band at a local show and you'll ask yourself repeatedly, "Why aren't they well-known?" This reviewer had that occur this past December at the Holiday Show at Cool Beans. The performance they put on that night dropped my jaw, how could a band this talented not get huge?
Well I'm pleased to inform you that River City Extension's first full-length LP, "The Unmistakable Man" is one of the best things to come out of New Jersey in quite some time. They are a band that is so full of energy and passion that you can't help but invest yourself in the songs on a personal level. Lead Singer/Guitarist Joe Michelini's lyrics remind me of the everyman tales from Springsteen's "Greetings from Asbury Park, NJ," one of the best debuts of all time.
The album starts off rather awkwardly however, with a truly unnecessary intro. In my opinion they would have been better off just starting right off the bat with the solemn vocals/guitar of 'Friends and Family.' One minute into the song and you have a good idea of what you'll be hearing the rest of the way; inspired playing, excellent singing and fantastic lyrical content.
The highlight of this album has got to be 'Our New Intelligence' which mixes excellent singing by both Michelini and Samantha Tacon, who go back and forth with such fervor that you know the song is going to explode at any moment. A very interesting "Pirate" bridge leads to the song transforming into one of the best songs Arcade Fire never wrote.From that point on the album takes many twists and turns, some for the better, some for the worse. I'm not the biggest fan of religious lyrics and a few of the songs do in fact deal with that subject matter. Not to say that they're bad songs, I'm just not a huge fan of that kind of material.
Another top track is 'Mexico' which features an extremely mariachi-esque horn part that you won't be able to get out of your head. I've loved this song since I first heard it in concert back in December. It's so insanely catchy with top-notch playing from the band. It's songs like this that make "The Unmistakable Man" a truly memorable record.
This is an excellent debut full-length, by an excellent band, but if you truly want to experience the energy of these songs in the proper fashion, I implore you to see their live show. In a live setting, this 8-piece is truly a sight to behold, their shows are less concerts than they are parties, and you're guaranteed to leave with a smile on your face and a song in your head.I'd highly recommend this LP to anyone who enjoys the heartfelt DIY-ness of bands like Modest Mouse, Spoon and Arcade Fire. If you like even just one of those bands, I promise you'll like what you hear on "The Unmistakable Man." This is truly American WildMan Rock, with a little bit of folk and punk thrown in for good measure.
River City Extension recently signed to XOXO Records and "The Unmistakable Man" is available on Amazon.com, iTunes and at their shows. Do yourself a favor and pick this one up, you won't regret it and you just might find something great to add to your library.
7/10
Best Tracks:
Friends And Family
Mexico
Our New Intelligence
Adrianne
Too Tired To Drink
Waiting in the Airport
































